Carina Venter

The proposed project builds on some of my earlier work on music and violence, and is born of the politico-ethical imperative to break the silence surrounding structural violence and abuse in institutionalised spaces devoted to music pedagogy: the lecture room, the teaching studio, the community project.

This project will focus on a widespread myth, namely that Sweden is a country mainly without corruption and involved internationally in corruption only because of the demands from corrupt governments and people in the rest of the world.